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Magazine - Life & Arts

A narrator speaking to his dead beloved

Daniel Ross Goodman - June 14, 2026 7:00 am

Crooks and communists in James Ellroy’s latest epic

Harold Bloom and his poet-correspondents

Go tell the Spartans: Two books on the conflicts that embroiled the Greek world

Maggie O’Farrell’s land before time

Steve Carell’s ‘Rooster’ vision of the university is a lie

Graham Hillard - May 1, 2026 5:15 am

AI could have made the new Michael Jackson movie

Peter Tonguette - May 1, 2026 5:12 am

A drab and dour Lena Dunham

Derek Robertson - May 1, 2026 5:05 am

Morality and mortality in Jay McInerney’s new novel

Malcolm Forbes - May 1, 2026 5:02 am

Nick at the bar is a friend of mine

Trent Reedy - May 1, 2026 4:58 am

Mike Vrabel’s non-confession confession

W. James Antle III - April 24, 2026 6:03 am

Elle Fanning is sharp and affectionate in ‘Margo’s Got Money Troubles’

Graham Hillard - April 24, 2026 5:29 am

Steven Soderbergh’s ‘The Christophers’ proves why people fall sleep watching Bob Ross reruns

Peter Tonguette - April 24, 2026 5:24 am

The sincerity of substance in Netflix’s ‘Love on the Spectrum’

Chris R. Morgan - April 24, 2026 5:19 am

Mark Prell’s ‘What are the Odds?’ illustrates the pitfalls of assuming certainty

Matthew Phillips - April 24, 2026 5:10 am

Mollie Hemingway’s ‘Alito’ dives into how the justice reshaped the Supreme Court

Kyle Sammin - April 24, 2026 5:03 am

Ordinary unhappiness: Review of Khameer Kidia’s ‘Empire of Madness’

Emmett Rensin - April 24, 2026 5:00 am

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